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At this year’s International Broadcasting Convention, the broadcaster’s chief technology officer Bob Harris said that the channel had been experimenting with real-time data processing.

ITV’s The Guilty wrapped up after three weeks last night, giving starved viewers their much needed fix of infanticide.

Channel 4 has said that it will be taking a step back from further exploring connected TV experiences because of limited uptake from viewers.

Blinkbox claims that its autumn content offering has ten times the number of latest blockbuster films than Netflix and LoveFilm.

Grinning boffin Brian Cox returned to the prime time schedules last night, armed with his unique brand of vocal harmonies and seemingly gormless enthusiasm.

DR, Denmark’s small public service broadcaster, has produced monster hits including The Killing, Borgen and The Bridge. Raymond Snoddy asks how they have pulled this off – and after hearing the organisation’s director of cultural affairs talk at IBC in Amsterdam, finds the answers are both extreme and surprising.

A combination of original programming and price is driving the rapid adoption of Netflix, according to analyst Richard Greenfield.

After a rough few week EastEnders (BBC One, 7pm) gathered its strength back and pulled itself past its Yorkshire rival.

It’s been suggested that separate broadcaster players such as 4OD and iPlayer may soon become surplus to requirements – that viewers will want ‘one stop shops’ for catch up and VOD. Research the Media’s Richard Marks argues the case for a hybrid future, where broadcasters have not totally surrendered control over the means of their own distribution.

In the current market place, there are no comprehensive standards to which media owners and measurement providers alike have to adhere when publishing view on Demand data, says Joe Lewis, project director at BARB. So what do we do to ensure we get it?