This week’s exciting repeat of DIY SOS: The Big Build (9pm) saw the team of big hearted builders descend upon Wales for a bit of makeover magic and quality scripted banter.
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After Kevin Spacey attracted headlines last week with his MacTaggart lecture in Edinburgh, Raymond Snoddy looks in more detail at what he said – and wonders how much of a threat the likes of Netflix really pose to cable operators.
TalkTalk’s pay-TV offering has reached the half a million subscriber mark within the first year of the company starting, and claims to be the fastest growing pay-TV service.
Garden-fresh whippersnapper Nicholas Lyndhurst (you may know him from edgy youth sitcom Only Fools and Horses) stepped up to become the fourth corner of the dusty UCOS team.
July saw 12.3 million viewers tune in to the Wimbledon Men’s Final to see Murray’s historic win, as the birth of a future king sparked a news battle between ITV and the BBC – one of the rare occasions when the commercial channel came out on top.
In contrast to June’s figures, commercial television channels in July saw an overall rise in yearly revenues, with Total Terrestrial up 12.1% to £145,200,000.
It was a clash of the grim and gritty later on as ITV’s third series premier of Vera (8pm) went head to head with BBC One’s new four part drama What Remains (9pm). The ITV show staring Brenda Blethyn as yet another maverick detective did get a head start on its two hour investigation.
Following AOL’s purchase of Adap.tv, along with fresh viewing figures from Thinkbox, it’s plain to see that video on demand is growing, says Dominic Mills – though achingly slowly – and live TV certainly retains an iron grip on our viewing habits for now.
New TV viewing figures from Thinkbox for the first half of 2013 show how people’s television habits are changing as on-demand TV viewing becomes a more established part of people’s lives.
Speaking at the 2013 Edinburgh International Television Festival, Spacey said that shows such as Breaking Bad and The Sopranos were “inescapable evidence that the King of television is the creative”, and that “revolutionary programming” must be kept alive.