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Bronfman to challenge Skydance for Paramount

Bronfman to challenge Skydance for Paramount

Media mogul Edgar Bronfman Jr. is about to enter the high-stakes battle for Paramount Global. According to the Wall Street Journal, the Seagram heir is preparing a bid for National Amusements, the controlling shareholder of the entertainment giant, setting off a potential bidding war for the film and TV company that owns CBS and MTV.

In the next few days

Bronfman’s potential offer, which could come in the next few days, is seen as a direct challenge to David Ellison’s Skydance Media, which secured a deal to acquire Paramount last month. That deal is subject to a “go-shop period,” when other potential buyers can make offers, which ends Aug. 21. If Paramount does choose to go with another offer, it will owe Skydance a breakup fee of $400 million, according to a securities filing.

Earlier this year, the businessman expressed interest in acquiring National Amusements but ultimately decided against submitting a bid. The Wall Street Journal reported he had considered offering between $2 billion and $2.5 billion at the time for the company.

Different strategy

While Skydance boasts deep pockets, Bronfman is betting on a different strategy. He’s aiming to entice Paramount shareholders with the prospect of owning a larger stake in the company compared to what the Skydance deal would offer, the Wall Street Journal said. This could prove to be a compelling proposition for investors seeking a greater share of the potential upside.

A seasoned media executive

Bronfman’s history in the media industry is extensive. His tenure at Warner Music and his involvement in the creation of Universal Music Group have solidified his reputation as a seasoned media executive. 

The next few days will be critical. Paramount’s special committee will have the ultimate decision on whether to extend the go-shop period if Bronfman’s offer is deemed sufficiently compelling. The outcome of this high-stakes battle will undoubtedly shape the future of Paramount and the broader media landscape.

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