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Pleasant homicide show returns with 4.9m

Pleasant homicide show returns with 4.9m

Two days after BBC One launched a new run of its comically grim crime drama Silent Witness, it was ITV’s turn last night to bring back a long-running sleuthing favourite, although to be fair the relentless slaughtering in Midsomer Murders (8pm) is on a whole other level of silliness.

Like some ungodly hybrid of The Archers, The Wicker Man and every silly regional genre show ever conceived, it has been a very long time since the rural murder show took itself too seriously, inadvertently bringing balance back to a schedule chocked to the brim of try-hard ‘hard-hitting’ cop shows.

Over the many years the commercial broadcaster has been airing tales about the cursed fictional county, Midsomer Murders has constantly thrown up some left-field surprises for fans (amazingly stupid deaths, very surprising cameos from people who should know better and even a trip to Denmark for some Nordic bloody Noir) but at its heart has remained a straightforward whodunit for undemanding audiences.

Yesterday saw the launch of the quaint murder show’s eighteenth series, as DCI John Barnaby (Neil Dudgeon) returned for a fifth run of connecting the increasingly bizarre dots.

While the leading men and supporting characters may have changed over the years (Barnaby recently got a hip bestubbled sidekick, with the new series featuring the show’s first ever regular Asian character) last night was business as usual for our refreshingly non-tortured copper.

An audience of 4.9 million viewers tuned in to hear the one about the wealthy landowner’s disappearing corpse, with the two hour investigation netting a 21% share.

Elsewhere BBC One offered up another edition of its bizarre experiment Dickensian at 8pm, bringing in 2.7 million viewers and a 12% share.

Afterwards, the second episode of Great Barrier Reef with David Attenborough (9pm) invited viewers on another journey through Australia’s beautiful aquatic playground, with 3.2 million viewers and a 14% share tuning in.

On BBC Two, the anxiety-inducing title of Trust Me I’m a Doctor (8pm) saw Michael Mosley and his troupe of smiling TV medics return for a post-Christmas finger wagging  session, resulting in 2.4 million viewers and an 11% share.

At 9pm, This World 2015 brought viewers a harrowing account of the first of last year’s terror attacks in Paris in Three Day of Terror: The Charlie Hebdo Attacks. The sobering prime time documentary secured 958,000 and a 4% share.

At 8pm, Channel 4’s resident retail wizard was back terrorising high street chains, with the new series of Mary Portas: Secret Shopper bagging 1.3 million viewers and a 6% share.

Afterwards, some lucky children were the focus of real-life horror stories on 24 Hours in A&E (9pm) with the essential sprinkling of warm humanity helping the episode net 1.8 million viewers and an 8% share.

There were more scary doctors on Channel 5 at 8pm, with GPs: Behind Closed Doors bringing in 1 million viewers and a 5% share.

Celebrity-Big-Brother

Wednesday’s proper horror story began properly at 9pm, with the first full day of Celebrity Big Brother (Channel 5) highlights providing enough nightmare fuel for all of 2016.  The post-launch show secured 2 million viewers and a 9% share, down from 2.7 million viewers on opening night.

At 7pm, Emmerdale (ITV) managed to trump its BBC One rival with 6.6 million viewers and a 32% share while the grim urban decay of EastEnders (8pm) only brought in 6.3 million viewers and a 27% share.

But it was the burgeoning romance between Kevin Webster and Anna Windass that brought Coronation Street (ITV, 7:30pm) Wednesday’s biggest audience, with 7.5 million viewers tuning in for the will they/won’t they/get bloody on with it friendship, resulting in a 34% share.

Overnight data is available each morning in mediatel.co.uk’s TV Database, with all BARB registered subscribers able to view reports for terrestrial networks and key multi-channel stations. Overnight data supplied by TRP are based on 15 minute slot averages. This may differ from tape checked figures, which are based on a programme’s actual start and end time.

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