Insight Analysis: British Cinema – Admissions Strong, Profits Weak
Cinema admissions in Britain boomed in 2001, rising by more than 9% on 2000 with 155.9 million tickets sold. This represents a 30 year high for the cinema industry and comes alongside box office revenues of £645 million, up 12.6% year on year, according to the Cinema Advertising Association (CAA).
A financial warning However, whilst the industry may be growing, by and large it is not profitable, according to a report from Dodona Research published last month. The cinema research company says that the four leading circuits which publish ‘meaningful’ financial figures – Odeon, ABC, UCI, UGC and Cine-UK – all saw significant profit declines between 1996 and 2000, despite increasing audiences and revenues.
Combined EBITDA (earnings before interest, tax, depreciation and amortisation) of the four companies (Odeon and ABC have merged) fell from £100 million in 1996 to £45 million in 2000, or from 30.5% of revenues to 10.5%, according to the report. Whilst this trend is expected to have been stemmed by 2001’s bumper revenues, Dodona argues the industry has some way to go before it regains an ‘acceptable’ level of profits.
Over-building Looking at EBITDA alone is a recipe for over-building, warns Dodona, as it omits the cost of financing and depreciating new cinemas – the cause of over-screening.
Considering pre-tax profit gives a more clear indication of the actual profitability of the industry. On this measure, the same four companies saw their combined profits fall from £68 million in 1996 to losses of £70 million in 2000 – a decline of over 200%.
By coincidence, this £70 million is exactly equivalent to provisions made by Odeon and ABC at the time of their merger in February 2000, but even writing these back in full leaves these leading companies making precisely no profit, says Dodona.
“For the last ten years,” says the report’s author Karsten Grummitt, “there has been a seductive view that you made money by building cinemas. What I hope we are seeing now is a realisation that you actually make money by filling them.”
Cinema Operators in the British Isles December 2001 | ||||
Great Britain | Northern Ireland | Ireland | Total | |
Odeon Cinemas | 603 | 603 | ||
UGC Cinemas | 386 | 10 | 9 | 405 |
UCI | 355 | 31 | 386 | |
Warner Village | 361 | 12 | 373 | |
National Amusements | 243 | 243 | ||
Cine-UK | 276 | 276 | ||
Ward-Anderson | 70 | 129 | 199 | |
Apollo Cinemas | 57 | 57 | ||
City Screen | 54 | 54 | ||
Ster Century | 36 | 14 | 50 | |
Independents | 634 | 67 | 141 | 842 |
Total | 3,005 | 159 | 324 | 3,488 |
Source: Dodona Research, March 2002 |
Consolidation on the cards? Given this background of weak balance sheets, many industry observers expect some degree consolidation to be inevitable. Indeed, Cine-UK, a circuit only set up in 1995, is now displaying a for sale sign.
Dodona says that extra revenues could also be achieved through alternative digital content in cinemas, something which is already being pursued by Odeon, and from new marketing and programming initiatives.
An old audience Perhaps surprisingly, it is the older age groups which dominate the cinema-going audience, according to the research.
Whilst cinema is more popular with the 15-24 year old group, with 50% attending monthly, the sheer size of the older demographic means that it outnumbers the younger one, despite attendance by only 15% of over 35s. There are around 4 million monthly cinema-goers aged 15-24 and 4.6 million aged 35 and over.