The dawn of a brand new month brought the same familiar genres to Sunday night’s TV schedule with a cornucopia of easy-to-digest period dramas and family friendly rose-tinted looks at Britain.
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Can Lloyds force agencies to be more operationally and financially transparent, wonders Dominic Mills.
Wednesday night saw the crème de la crème of popular musical talent take over ITV’s evening schedule as they descended upon London’s O2 arena for The Brit Awards 2015 (8pm).
Last night saw Channel 4 attempt to justify its existence with a sprinkle of contrived controversy and challenging ‘debate’ with two shows taking a look at the issue of immigration and integration in modern Britain.
From a ‘cash for access’ sting, to some deeply unsavoury reporting, a lot has happened in the world of journalism over the last week, but we’re still none the wiser as to why the Daily Telegraph’s HSBC coverage was so pathetic.
To reflect the changes to the way customers work and to improve the user experience, Mediatel has this week merged its core media planning products – Mediatel.co.uk and Connected Consumer – into one platform: Mediatel Connected.
After eight weeks of meandering and drumming up some intrigue, Monday night saw Broadchurch’s (ITV, 9pm) heavily criticised second series finally come to an end.
As the Christmas and New Year holiday period drew to a close there was still time for BBC One to offer up a gem for viewers dreading the return to work, with the adaptation of Roald Dahl’s Esio Trot.
The idea that brands should try to be ‘news platforms’ is nonsense, argues Dominic Mills – and risks breaking the trust that is the ultimate foundation of their success.
30 years to the day BBC One launched its own very distinctive brand of gritty and unglamorous soap drama, last night’s celebrations finally delivered a festival of payoffs and surprises for long-term fans of EastEnders.