Last night’s concluding part of the first slaughter of the series saw po-faced DI Perez team up with an even more despondent-looking Brian Cox (the other one) for some infanticide closure.
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Sky customers to see a brand new homepage on their Sky+HD boxes in what the company is calling “the most significant shake-up” to its electronic programme guide since its introduction at the launch of digital TV in 1998.
Evermoor will tell the story of an American 14 year old girl who discovers a magical tapestry that can apparently predict the future, and is to become the first UK Disney production to be shown on Disney’s US channel.
Based on a true story, The Widower (9pm) saw Shearsmith turn his creepier-than-your-Great-Aunt’s-doily-collection persona dial all the way down to ‘subtle’ as he plotted to kill off his wives, all for a shiny life insurance hoard.
Millward Brown’s AdReaction study is the first in the world to reveal the use, behaviour and receptivity to advertising of multi-screen users.
Saturday saw rugby fans bid farewell to a sporting legend as Brian O’Driscoll played his final international rugby match, securing a peak audience of 6.2 million.
Thursday brought a suspiciously quiet night for UK television audiences, with the biggest show of the day being watched by less than 6 million people.
Three out of the four big pay TV suppliers in the UK are neglecting to provide enough innovation to develop addressable advertising systems, an industry expert has warned.
“The Connies”, back for their second year, saw Carat dominate the proceedings for its work on Very.co.uk – taking both the Grand Prix prize as well as the trophy for the Most Creative Campaign.
At the annual Connected Consumer Conference on Wednesday, industry was told that the reality of TV consumption is not online, but in live broadcasting.