Route’s managing director, James Whitmore, examines how technological innovations in the way we communicate have evolved throughout history, from an Edwardian Royal Mail to today’s Google Glass – and asks how much, in this digital age, has really changed at all.
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Liverpool versus Stoke City on August 17 will kick off the first of the matches to be shown on BT Sport, also including Spurs v Chelsea and Everton v Liverpool.
After a series of high-profile flops, this week sees the death – or at least the deep-freeze – of 3DTV made official. So what does this mean for the media industry? Raymond Snoddy looks at the impact for everyone, from broadcasters to TV manufacturers.
iPlayer was joined in the top 10 most highly ranked brands in terms of consumer perception by Samsung, the BBC and YouTube.
Ed Vaizey, minister for culture, communications and the creative industries has confirmed that the Government Digital Radio Action Plan has now been completed, and that ‘significant progress’ has been made in the transition to digital radio in the UK.
Last night’s top shelf TV brought a change of heart for brooding man-mountain Luther (BBC One, 9pm) as the haunted cop attempted to get his love on in the second episode of the third series.
Following a return to pre-recession levels in 2012, UK advertising spend continued to show healthy growth in the first quarter of 2013, according to the latest Advertising Association/Warc Expenditure Report.
The Ashes Event Centre will offer live ball-by-ball coverage and feature an integrated ‘Hawk-Eye’ app that gives viewers the opportunity to review every ball via a host of analysis tools.
In the second of our series looking at the future of Britain, OMD UK’s insights director Chris Worrell explains how, in ‘Creative Britain’, brands need to think quickly and nimbly – because if they don’t, a tech empowered, entrepreneurial minded public will build a product that meets their needs themselves.
In the final five minutes of the Wimbledon men’s final, 120,000 tweets were generated per minute, with the two week competition resulting in a 20% surge in Murray’s Twitter followers.