Why, if TV is the powerful medium, and radio the personal one, did Tesco – and a host of other big brands for a variety of reasons recently – use press to say sorry about its products?
More Opinion articles
A Facebook news feed redesign, Tesco Clubcard TV and careless lorry drivers. Simon Andrews, founder of Addictive!, looks at how brands are embracing a world in which advertising is evolving at a rapid rate.
Starcom MediaVest’s Steve Smith looks at how brand owners can engage with smartphone users outside of the home – with particular focus on the differences between city and rural life – and the impact that new image recognition technology is having on the advertising industry.
Despite the fact Lord Puttnam’s amendments to the Defamation Bill are not likely to pass into law, the damage done as a result of the political gamesmanship looks like being very great indeed says Raymond Snoddy.
Over the past 30 years the world has been rewired, giving birth to an always-on experience of human life that brings together flesh, blood and data – and now machine to machine technology has awakened. What, exactly, will this mean for brands? Michael Bayler, strategist and author, Bayler & Associates, investigates.
Channel 4’s Black Mirror has captivated viewers with its technology-obsessed dystopian futures. But these cautionary tales should also act as a warning to brands as they continue to embrace the world of digital argues the Media Native
Future Foundation’s Karen Canty has been on a storytelling mission – learning about its history and development – and why today it is so important for brands. So what can businesses learn from this simple, inbuilt human prerogative?
Last week saw the final stages to Ofcom’s 4G auction take place, with five major players now competing in the ultra-fast mobile market. As the inevitable marketing battleground forms, Newsline has gathered the latest industry reaction, including opinion from MEC, Volume, G2 Joshua and Getty Images.
Following the 85th Academy Awards ceremony last month, Digital Cinema Media’s (DCM) Simon Rees shares his highlights and looks ahead to what promises to be another strong year for the film industry.
Netflix has acquired vast amounts of data about its viewers’ watching habits – but can it really use this to predict what we want? Dominic Mills is not so sure.