If it wants to survive another 100 years, the Professional Publisher’s Association has to help the industry solve the nitty-gritty of what magazines should be and do – and what the business models might look like.
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As online social platforms grow, what is now driving the discovery of new music – humans or algorithms? The answer, says GfK’s Colin Strong, is surprising, and has important repercussions for content discovery more generally.
After a trip to the asi European Television Symposium earlier this month, Richard Marks believes, in principle, that TV audience research really does have a hybrid future – but how will it work in practice?
There has been speculation that Tim Hipperson’s departure from Zenith is linked to the loss of two of the company’s core clients. However, this theory is flawed, says Dominic Mills. Here, he explains why…
Following its IPO, Simon Andrews, founder of Addictive!, asks – amongst strong scepticism – if Twitter can really work as an ad medium.
Now BT has poached the rights from ITV, the Champions League will effectively disappear behind a full paywall and millions of football fans will be disadvantaged – will sponsors have to say goodbye to some of their audience?
As Google takes steps towards running a fully-subscribed search service, it can only be to the detriment of advertisers says Jon Baron, CEO of TagMan.
Starcom MediaVest’s Steve Smith says brands should augment experiences with sensory impacts – with what he calls ‘cultural synaesthesia’. So how can brands makes it work?
Risk-taking behaviour is on the wane and it’s having an impact on brands, reports Future Foundation’s Karen Canty. So how do you sell the adventurous dream whilst acknowledging the safety-seeking reality?
After Twitter’s entry into the stock market this week, Simon Andrews, founder of Addictive!, compares the debut against the world’s other Internet giants.