The latest antics for the socially blind crime-solving toff amassed an army of activity on Twitter, topping the online conversation surrounding Sunday’s TV shows.
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In a time when chasing nostalgic ratings is easier than actually bothering to come up with original and creative ideas, last night viewers were treated to yet another revival of a beloved sitcom from yesteryear.
If you’re looking for the future of ratings sources as media changes, you might want to consider looking past the screen and into the media devices themselves, says Mediaocean’s Sarah Lawson Johnston.
Fans familiar with writer and creator Moffat’s knack for secrecy and misdirection should know that answers never come easy, with the famous detective’s return proving once again to be a source of discontent on the internet.
From Twitter’s ad proposition to the future of the BBC, and Local TV to Facebook’s falling popularity, Raymond Snoddy shares his views on the most important media trends to watch out for in 2014.
November saw Doctor Who, I’m a Celebrity and Last Tango in Halifax win the nation’s heart.
The latest TV market round-up shows that all commercial television channels were up in revenue year on year, with the exception of Channel 4.
Trainspotting and Fight Club helped define consumerism in the 90s, but the rise of digital has changed the world in huge ways since – so how do we define ourselves in today? SMG’s Simon Pont investigates.
They say timing is everything – an old adage that proved equally as well for BBC One last night as it did for Ronny Biggs and the rest of the team behind The Great Train Robbery (BBC One, 8pm) 50 years previously.
The sharing economy – that sees goods swapped or leased – is now a well-established and growing phenomenon – yet its consumer-to-consumer nature means businesses are being cut out of the loop. What does this mean for brands?