More Opinion articles

At the heart of the Netflix phenomenon lurks a serious structural flaw.

When it comes to commissioning UK TV shows, this is the year that the major streamers must do better, argues Stephen Arnell.

3D cinema has had four attempts at establishing itself, but all have failed to stick. Why are some media tech doomed to unpopularity despite repeated attempts to foist them upon us?

The tension between policy and personality seemed to most interest this year’s LEAD audience in politics and in advertising alike.

Simon Carr asks if Roblox and Fortnite are the new churches of the modern world.

It’s time for ad tech to get its house in order before the Government is forced to intervene.

Significant changes in the CTV space are on the way. Finecast UK’s Stefan Jansen assesses what lies ahead.

Ray Snoddy picks apart the multiple sleaze probes currently engulfing the Tory Government

Mirror editor-in-chief Alison Phillips explains what trust actually means, not just for journalism, but the entire media industry. 

For many hybrid workers, flexibility has become a benefit they’re not prepared to part with.