Wednesday night brought a close to the second series of ITV’s attractive crime-solving vicar show Grantchester.
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Based on a chapter from the new book What Price Channel 4?, Raymond Snoddy reveals details about a radical, but failed plan concocted by the Secretary for Culture, Media and Sport.
Commercial broadcaster ITV attempted to squeeze presenter Veron Kay and an overstuffed hoard of vaguely familiar TV personalities into a Top Gear-shaped Mini.
Channel 4 was back to pushing the boundaries of its educational remit last night with the launch of a second series of icky and universally slated public shag show, Sex Box (10pm).
Sunday’s schedule was awash with new and returning drama, kicking off with ye olden day strong lady drama The Durrells on ITV at 8pm.
The upcoming US presidential elections, Rio Olympics and Paralympics and the UEFA EURO 2016 are set to help global adspend reach US$538 billion this year, according to Carat’s latest ad expenditure forecast.
February was a relatively static month for commercial terrestrial channels; however, total satellite revenue was up 17.1%.
BBC One’s extremely well-received adaptation of John le Carré’s spy novel The Night Manager came to an exciting end on Sunday.
Sky is to become the exclusive home to all Formula 1 in the UK and Ireland from 2019 to 2024, the first time the majority of F1 races will be available only to pay-TV subscribers.
From real-time optimisation, to storylines that progress across different screens, Ipsos Connect’s Beckie Goodfield examines the game-changing developments for TV and its advertising.